Style
Dances of the Georgian Court and Countryside
Many will remember Daniil Simkin for his technically brilliant dancing at American Ballet Theatre. He is now a freelancer and a producer; his latest project, “Sons of Echo,” is...
In Tracy Letts’s “Bug,” Crazy Is Contagious
In Cromer’s framing, that hollowness begins to feel like the play’s sad theme: when someone is on a desperate hunt for meaning, the source of it ultimately doesn’t matter...
What “The Pitt” Taught Me About Being a Doctor
“The Pitt” easily could have felt like one long sequence of overstuffed, heavy-handed scenes. It’s a testament to the show’s artfulness that, most of the time, it doesn’t. Instead,...
The Zealous Voyagers of “Magellan” and “The Testament of Ann Lee”
Where does such a charge leave Magellan, despoiler of every Eden he encounters? The film, to its credit, does not skimp on paradisiacal visions. Every shot of the tropics...
Béla Tarr’s Unbroken Visions
A titanic artist’s death is a terrible shock. In the case of the Hungarian filmmaker Béla Tarr, who has died after a long illness, at the age of seventy,...
Start Young, Pivot Fast, Build Relentlessly Now
I’m Erik Huberman, and my stance is simple: momentum beats perfection. Careers are not straight lines. They are a series of quick moves, tough pivots, and compounding lessons. That’s...
Essential Questions to Ask Before Signing an Internet Contract
When choosing an internet provider, it is rarely as simple as comparing prices. Many people forget to read the fine print or ask important questions. You should understand the...
Barry Blitt’s “Guzzler”
When President Trump announced the U.S. military’s capture of Venezuelan President Nicolás Maduro, the cartoonist Barry Blitt decided that his image for the cover of the January 19, 2026,...
Reading for the New Year: Part Two
To start the new year, New Yorker writers are looking back on the last one, sifting through the vast number of books they encountered in 2025 to identify the...
The Perils of Killing the Already Dead
He goes on to say that to behead a corpse is to follow the path of Satan, and that it is God, not a lip-smacking corpse, who holds power...
