“Michael,” Reviewed: A Sanitized Bio-Pic That’s All Business
In bed afterward, recovering from his father’s assault, Michael reads an illustrated Peter Pan book in which a drawing of the villainous…
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In bed afterward, recovering from his father’s assault, Michael reads an illustrated Peter Pan book in which a drawing of the villainous…
What’s the point of talking pictures if the people in them don’t talk? The characters in Ira Sachs’s films always express themselves…
A crisis point comes during a cross-country road trip, during which Bruce’s driver, Matt (Harrison Sloan Gilbertson), has to help a…
When Film Forum showed “Last Tango in Paris” this past December, as part of a Marlon Brando retrospective, the venue’s web page for the…
One doesn’t have to be a Dylanologist to know, or even to sense, that “A Complete Unknown,” which opens on December 25th, simplifies Bob…
Pablo Larraín’s new film “Maria,” the third in his trilogy of grandes-dames bio-pics (following “Jackie” and “Spencer”), is the best of…