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Richard Brody’s New Directors/New Films Picks
Beguiling blends of fiction and nonfiction are the highlights of this year’s edition of the New Directors/New Films series, at Film at…
Sunday in the Amusement Park with Elon
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
What to Watch That Isn’t “The White Lotus”
The musician Tamara Lindeman founded the Canadian folk band the Weather Station in 2006, but it could be argued that she didn’t truly find…
The British Hits Are Coming
Also: Cate Blanchett in “Black Bag”; Felix Mendelssohn’s overlooked sister, at the Morgan Library; uncovered songs by “Rent” ’s Jonathan…
“Moby-Dick” Sets Sail at the Met Opera
Jane Bua Bua writes about classical music for Goings On. Among the most notable opening lines in literature is undoubtedly that of Herman…
Faith Ringgold’s Message of Hope
Hilton Als Staff writer In 1971, the painter, quilter, and children’s-book author Faith Ringgold went to prison. She was not incarcerated;…
Briefly Noted Book Reviews
Land Power, by Michael Albertus (Basic). In the past few centuries, land has changed hands on major scales: from nobles to commoners…
Goings On Turns a Hundred
Shauna Lyon Editor, Goings On In anticipation of the hundredth anniversary of The New Yorker, I’ve been looking back at old issues,…
Heil or No Heil?
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
Under the Radar Keeps Rollin’ Along
When Jerome Kern and Oscar Hammerstein II first adapted Edna Ferber’s epic novel “Show Boat” for the stage, in the nineteen-twenties, they…
The Outsized Influence of De La Soul
Continuing its study of Mahler, the Philadelphia Orchestra returns to Carnegie Hall with the Ninth Symphony, the composer’s last…
A Polar-Bear Plunge for the Mind, at Under the Radar
Helen Shaw Staff writer It’s a new year! Hurrah! Time to kick off our fluffy slippers and blast away our winter daze to start 2025…
How Judith Jamison Shaped Alvin Ailey American Dance Theatre
Brian Seibert Seibert has covered dance for Goings On since 2002. New York dance in December is all about “The Nutcracker,” the Alvin…
Criterion Channel’s Thrillingly Evolving Roster
Richard Brody Staff writer The Criterion Channel, the foremost moveable source for art-house and repertory cinema, thrillingly expands its…
Hilton Als on Understanding Difference in “Alok”
Hilton Als Staff writer There are a lot of ghosts in the exhibition “Dueñas de la Noche: Trans Lives and Dreams in 1980s Caracas” (through…
Dalí, Basquiat, Haring, and Hockney at Luna Luna
Jackson Arn The New Yorker’s art critic I don’t know what Werner Herzog is up to these days, but if he’s between projects, I humbly…
Kacey Musgraves, Offbeat Pageant Princess
Hilton Als Staff writer It’s hard to believe that it’s been almost twenty years since I first saw the great director David Cromer’s work.…
Trump Talks Through His Hat
© 2024 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
Winter Culture Preview
Nothing says the holidays quite like Franz Kafka, who died of tuberculosis in 1924, right when the Morgan Library was admitting its first…













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